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Posted: Tue Jun 08, 2021 8:22 am
Tunnel vision: Indians ace Shane Bieber on the art of deceiving hitters with his lethal fastball-curveball combination
Zack Meisel 1h ago 2
When Austin Hedges crouches behind the plate and flashes one finger or two, he knows, more often than not, Shane Bieber will place the baseball precisely where he requests.
But Hedges sometimes needs to remind himself which sign he displayed, because that curveball he thought he called for sure looks like a fastball zipping toward home plate and he could have sworn the plan was for a two-strike breaking ball but this is spinning like a fastball, and if it looks like a fastball and it spins like a fastball then it has to be a fas— oh, wait, there it goes, plunging into the dirt like originally intended, phew!
The top priority for any pitcher, not just the Indians’ ace, is to devise ways to make life difficult for the hitter, to unearth advantages with one’s pitch mix, sequencing and movement profiles. Pitch tunneling is a basic concept, the art of duping the hitter into believing he’s swinging at a fastball when it’s actually a breaking ball diving away from his bat.
Bieber has mastered the execution of this tactic, making his curveball resemble his fastball for as long as possible, which leaves many a hitter miffed as he retreats to the dugout, head down, bat in hand, confidence shattered.
Here’s how Bieber expertly plays his curveball off his fastball:
Pitch tunneling helps explain why hitters lunge at the curveball even when Bieber buries it in the dirt in front of home plate, and why it seems teams — starting with the Yankees in the 2020 wild-card series with the Indians — have made it their mission to resist the temptation to offer at that lethal pitch. It’s easier said than done, though.
Last season, Bieber’s curveball produced whiffs on 52 percent of swings, and batters posted an .095 average and .143 slugging percentage against the pitch. It ranked as the top curveball in the majors, and it propelled Bieber to become a unanimous choice for the American League Cy Young Award. That whiff rate has dipped a bit this season, but hitters are still coming up empty on 43 percent of their hacks. Bieber said he lost his feel for his curveball and slider for a couple of starts, though he may have corrected that two starts ago against the Tigers, when his curveball prompted 13 swings-and-misses (and his fastball induced nine more).
When the curveball is working, even for Hedges, it’s difficult to differentiate between the two pitches before they arrive at the plate.
“When pitches are moving and breaking that fast and that sharp,” Hedges said, “and you know he can bounce a pitch in front of home plate, but the guy’s going to swing at it, so I have to block it — it’s nasty, but the nice thing about Bieber is he executes at such a high level, so when it’s in the dirt, it’s supposed to be in the dirt. When it’s for a strike, it’s supposed to be a strike. So you kind of have an idea of what it’s going to do. But the tunneling off the fastball and the curveball is about as good as I’ve ever caught.”
So what has allowed Bieber to perfect that craft? Bieber chatted with The Athletic during the Baltimore series about this topic.
First, his mechanics should be replicated at every instructional camp. He’s able to repeat his delivery in a seemingly effortless manner: same motion, same rhythm, same release point on every pitch.
“It comes down to repeating your mechanics — just trying to keep everything the same and throwing with intent,” Bieber said.
Also, the spin of the two pitches looks the same. It’s actually reversed (topspin vs. backspin), but a batter can’t decipher between the two. It’s known as pitch or spin mirroring, and it messes with a hitter’s ability to recognize which pitch is whizzing his way.
A multiple-exposure view of Shane Bieber’s delivery. (Nick Cammett / Diamond Images via Getty Images)
The pitch itself, independent of how it plays off other pitches in a particular arsenal, still needs to be effective. A pedestrian curveball would keep hitters off balance for only so long.
“The pitch has to be good,” Bieber said, “and in terms of tunneling, the best way to summarize it is — you’re very rarely going to fool a hitter 100 percent on a pitch, but it’s, how long can you keep them committed to what they think it was? How long can you get them to commit to it to where they can’t hold up?”
Consider this sequence to Ildemaro Vargas, then of the Cubs, last month. Vargas fouled off a 1-0 fastball in the zone.
He then swung through a 1-1 curveball in the zone.
Bieber then convinced him to chase a 1-2 curveball out of the zone.
“Sometimes when my curveball gets loopy,” Bieber said, “maybe I’m trying to land it for a strike or I’m not throwing it with that exact intent or confidence. When it’s on and I’m throwing it for strikes and commanding it below the zone, I’m throwing that thing hard; it’s around 83 to 84 (mph) and I take the hump out. I’d say the best way to do it is just to throw everything with conviction and throw it with a fastball mindset and just trust your delivery.”
How much of Bieber’s sorcery is his ability to befuddle the hitter and how much of it is the movement, velocity and command of the pitch?
“It’s an interesting thought,” Bieber said. “Some of the swings-and-misses on breaking balls down, whether it’s a curveball or a slider, not just for me but for everybody — I ask hitters all the time, ‘Is that more of, were you fooled and thought it was a fastball, or was it that you saw the spin, thought you could get to it and couldn’t?’ I’m not really sure what the majority of swings-and-misses are. I think it’s less than what people think of how hitters are being fooled. Yeah, maybe they see a fastball out of the hand. Major-league hitters can recognize spin and then it just comes down to how much the ball is moving and breaking and whether you can still fool them. I’ve always been curious. It’s interesting to think, did they really think that was a fastball the whole way, or were they just not able to hit it? They were already committed and just couldn’t get to it?”
Bieber is quick to credit his pitching coaches and catchers. (He referred to Roberto Pérez as the team’s “commander in chief.”) But not every pitcher is capable of conquering such an advantageous element of pitching. It demands pristine mechanics, elite command, and the talent and intelligence to understand how to make a collection of pitches more potent.
“The only comparison that I’ve ever had to him was I got to catch Craig Kimbrel back in the day,” Hedges said. “It’s the same type of thing. That’s very high praise because Craig Kimbrel is one of the best relievers of all time. For Bieber to go out there and do it as a starter, when you have that type of spin on a fastball and a curveball — it’s the same pitch. And you have to pick one, and if you guess wrong, you’re going to look foolish.”
Zack Meisel 1h ago 2
When Austin Hedges crouches behind the plate and flashes one finger or two, he knows, more often than not, Shane Bieber will place the baseball precisely where he requests.
But Hedges sometimes needs to remind himself which sign he displayed, because that curveball he thought he called for sure looks like a fastball zipping toward home plate and he could have sworn the plan was for a two-strike breaking ball but this is spinning like a fastball, and if it looks like a fastball and it spins like a fastball then it has to be a fas— oh, wait, there it goes, plunging into the dirt like originally intended, phew!
The top priority for any pitcher, not just the Indians’ ace, is to devise ways to make life difficult for the hitter, to unearth advantages with one’s pitch mix, sequencing and movement profiles. Pitch tunneling is a basic concept, the art of duping the hitter into believing he’s swinging at a fastball when it’s actually a breaking ball diving away from his bat.
Bieber has mastered the execution of this tactic, making his curveball resemble his fastball for as long as possible, which leaves many a hitter miffed as he retreats to the dugout, head down, bat in hand, confidence shattered.
Here’s how Bieber expertly plays his curveball off his fastball:
Pitch tunneling helps explain why hitters lunge at the curveball even when Bieber buries it in the dirt in front of home plate, and why it seems teams — starting with the Yankees in the 2020 wild-card series with the Indians — have made it their mission to resist the temptation to offer at that lethal pitch. It’s easier said than done, though.
Last season, Bieber’s curveball produced whiffs on 52 percent of swings, and batters posted an .095 average and .143 slugging percentage against the pitch. It ranked as the top curveball in the majors, and it propelled Bieber to become a unanimous choice for the American League Cy Young Award. That whiff rate has dipped a bit this season, but hitters are still coming up empty on 43 percent of their hacks. Bieber said he lost his feel for his curveball and slider for a couple of starts, though he may have corrected that two starts ago against the Tigers, when his curveball prompted 13 swings-and-misses (and his fastball induced nine more).
When the curveball is working, even for Hedges, it’s difficult to differentiate between the two pitches before they arrive at the plate.
“When pitches are moving and breaking that fast and that sharp,” Hedges said, “and you know he can bounce a pitch in front of home plate, but the guy’s going to swing at it, so I have to block it — it’s nasty, but the nice thing about Bieber is he executes at such a high level, so when it’s in the dirt, it’s supposed to be in the dirt. When it’s for a strike, it’s supposed to be a strike. So you kind of have an idea of what it’s going to do. But the tunneling off the fastball and the curveball is about as good as I’ve ever caught.”
So what has allowed Bieber to perfect that craft? Bieber chatted with The Athletic during the Baltimore series about this topic.
First, his mechanics should be replicated at every instructional camp. He’s able to repeat his delivery in a seemingly effortless manner: same motion, same rhythm, same release point on every pitch.
“It comes down to repeating your mechanics — just trying to keep everything the same and throwing with intent,” Bieber said.
Also, the spin of the two pitches looks the same. It’s actually reversed (topspin vs. backspin), but a batter can’t decipher between the two. It’s known as pitch or spin mirroring, and it messes with a hitter’s ability to recognize which pitch is whizzing his way.
A multiple-exposure view of Shane Bieber’s delivery. (Nick Cammett / Diamond Images via Getty Images)
The pitch itself, independent of how it plays off other pitches in a particular arsenal, still needs to be effective. A pedestrian curveball would keep hitters off balance for only so long.
“The pitch has to be good,” Bieber said, “and in terms of tunneling, the best way to summarize it is — you’re very rarely going to fool a hitter 100 percent on a pitch, but it’s, how long can you keep them committed to what they think it was? How long can you get them to commit to it to where they can’t hold up?”
Consider this sequence to Ildemaro Vargas, then of the Cubs, last month. Vargas fouled off a 1-0 fastball in the zone.
He then swung through a 1-1 curveball in the zone.
Bieber then convinced him to chase a 1-2 curveball out of the zone.
“Sometimes when my curveball gets loopy,” Bieber said, “maybe I’m trying to land it for a strike or I’m not throwing it with that exact intent or confidence. When it’s on and I’m throwing it for strikes and commanding it below the zone, I’m throwing that thing hard; it’s around 83 to 84 (mph) and I take the hump out. I’d say the best way to do it is just to throw everything with conviction and throw it with a fastball mindset and just trust your delivery.”
How much of Bieber’s sorcery is his ability to befuddle the hitter and how much of it is the movement, velocity and command of the pitch?
“It’s an interesting thought,” Bieber said. “Some of the swings-and-misses on breaking balls down, whether it’s a curveball or a slider, not just for me but for everybody — I ask hitters all the time, ‘Is that more of, were you fooled and thought it was a fastball, or was it that you saw the spin, thought you could get to it and couldn’t?’ I’m not really sure what the majority of swings-and-misses are. I think it’s less than what people think of how hitters are being fooled. Yeah, maybe they see a fastball out of the hand. Major-league hitters can recognize spin and then it just comes down to how much the ball is moving and breaking and whether you can still fool them. I’ve always been curious. It’s interesting to think, did they really think that was a fastball the whole way, or were they just not able to hit it? They were already committed and just couldn’t get to it?”
Bieber is quick to credit his pitching coaches and catchers. (He referred to Roberto Pérez as the team’s “commander in chief.”) But not every pitcher is capable of conquering such an advantageous element of pitching. It demands pristine mechanics, elite command, and the talent and intelligence to understand how to make a collection of pitches more potent.
“The only comparison that I’ve ever had to him was I got to catch Craig Kimbrel back in the day,” Hedges said. “It’s the same type of thing. That’s very high praise because Craig Kimbrel is one of the best relievers of all time. For Bieber to go out there and do it as a starter, when you have that type of spin on a fastball and a curveball — it’s the same pitch. And you have to pick one, and if you guess wrong, you’re going to look foolish.”